Ten Little Bullets in my Hand

Marianne. 20-something Sapphic reprobate; computer programmer and part-time adventuress by day, nerd heroine by night. Blog contains at least 60% Les Misérables by volume; dilution possible under conditions of intense Doctor Who fangirling. Stop use and consult a doctor immediately if pregnant, breastfeeding, mathematically illiterate, punctiliously observant of warning labels, or allergic to: opinionated rambling, 1830s France research dumps, atrocious puns, Doctor/Master, dead Gallifrey jokes, or other potential irritants. May contain traces of wonder.

patronamis:

tenlittlebullets:

angry-enjolras:

Hey guess what the revolution isn’t the only thing I care about I know that’s hard for you to hear except I don’t give a damn.

“He had but one passion—the right; but one thought—to overthrow the obstacle. […] He hardly saw the roses, he ignored spring, he did not hear the carolling of the birds[….] He chastely dropped his eyes before everything which was not the Republic.”

Come again?

“The usual secret meetings of the Friends of the A B C were held in a back room of the Cafe Musain.

This room, quite far from the cafe, to which it was connected to by a very long corridor, had two windows, and an exit by a private stairway onto the little Rue des Gres. They smoked, drank, played, and laughed there. They talked very loud about everything, and in whispers about something else […] These young men constituted a sort of family among themselves, through friendship. All except Laigle were from the South.”

Funny,  he is one of them last I checked.

“[After Enjolras shot Le Cabuc and the body is taken away] “Citizens,” Said Enjolras, “what that man did is horrible, and what I have done is terrible. He killed, that is why I killed him. I was forced to do it, for the insurrection must have its discipline. […] I therefore judged and condemned that man to death. As for myself, compelled to do what I have done, but abhorring it, I have judged myself also, and you shall soon see to what I have sentenced myself. […] Now the law of progress is that monsters disappear before angels, and that fatality vanishes before Fraternity. This is a bad time to pronounce the word ‘love.’ No matter, I pronounce it, and I glorify it. Love, yours is the future. Death, I use you, but I hate you.”

Regret for (necessarily) taking a human life, He only cares about revolution hm? 

“[After the death of Mabeuf] Enjolras stooped down, raised the old man’s head, kissed him on the forehead, then, moving his arms and handling the dead with a tender care, as if he feared hurting him, he took off his coat, showed the bleeding holes to all of them, and said: “This is our flag now.”“

Honoring a brave old man in death, how cold and uncaring. 

“Combeferre said to Enjolras, “They have our friend; we have their officer. Have you set your heart on the death of this spy?”

“Yes,” Said Enjolras; “But less than on the life of Jean Prouvaire.”

Wow? Is that…concern for my friends? But I thought my only concern was Patria? 

“Long live death! Let’s all stay!”

“Why all?” said Enjolras.

“All! All!”

Enjolras went on, “The position is good, the barricade is fine. Thirty men is enough, why sacrifice forty?”

Trying to get others to escape the barricade before they’re slaughtered. The Enjolras you speak of would force the men to stay, whether they wanted to die or not (Even though in this case they did and Combeferre and Marius had to do some convincing as well).

“Citizens, do you imagine the future? The streets of the cities flooded with light, green branches on the thresholds, the nations sisters, me just, the old blessing the children […] Feuilly, valiant workingman, man of the people, man of all peoples, I venerate you […] Citizens, the nineteenth century is great, but twentieth century will be happy […] Brothers, whoever dies here dies in the radiance of the future, and we are entering a grave illuminated by the dawn.”

Somehow he manages to love my friends and his cause, what a concept.

“[Combeferre in reference to the artilleryman] Just think that he is a charming young man; he’s intrepid; you can see that he’s a thinker; these young artillerymen always are well educated; he has a father, a mother, a family; he’s in love probably; he is twenty-five at most; he might be your brother.”

“He is.”

“Yes, and mine too. Well don’t kill him.”

“Leave me alone, we must do what we must.” And a tear rolled slowly down Enjolras’s marble cheek.

No fucking comment is necessary.

So, in summary, come again?

The Enjolras I speak of? I laid down two fucking words and a Brick quote to the effect that Enjolras has no fucks to give about anything outside revolution. None of which even so much as implies that his beliefs on revolution aren’t subject to evolution and high emotion over the course of the event, let alone that his idea of revolution must always be as unnecessarily bloodthirsty as possible. He loves his friends as comrades and doesn’t expect them to be as singleminded as he is. That doesn’t keep him from being pretty fucking singleminded. Stop strawmanning.

angry-enjolras:

Hey guess what the revolution isn’t the only thing I care about I know that’s hard for you to hear except I don’t give a damn.

“He had but one passion—the right; but one thought—to overthrow the obstacle. […] He hardly saw the roses, he ignored spring, he did not hear the carolling of the birds[….] He chastely dropped his eyes before everything which was not the Republic.”

Come again?

vouksen:

but seriously  I’m just saying, again, Valjean is The Nonviolent Guy in the book, he is a deliberate contrast to les Amis’ violence, he does good with gunshots by not killing where Enjolras does what he thinks he must by killing, the contrast is clear in the battle and hammered in so hard you can’t miss it with Javert and the artillery sergeant and le Cabuc; Valjean doesn’t hurt people. He goes through moral agony, he suffers, he destroys his own life multiple times so that he will not hurt another person. He does not hurt people, he does not hit people. No matter who.

(via carmarthen-the-fan)

invertintrovert:

hernaniste:

edwarddespard:

Graham Robb’s very readable Parisians: An Adventure History of Paris has, in its chapter on Vidocq, a section of particular interest to Les Misérables fans – the fact it’s titled “The Case of the Bogus Revolution” gives a hint as to why that is so.

Writing of the events of 5-6 June 1832, Robb points out that “A cynic might have said that this chaotic revolt was a stroke of luck for the new regime”, pointing out that the July monarchy was threatened by both republicans and legitimists and that “Strangely, though, despite its fear of a further republican uprising or a royalist counter-revolution, the government did nothing to prevent the crowds from assembling [for Lamarque’s funeral], and when a colossal man appeared on a horse, waving a red flag on a Phrygian bonnet, no soldier or policeman intervened until panic had started to spread.” Intriguingly, Robb mentions that rumours had been spreading since the morning that the funeral would be the occasion of a royalist revolt. Certainly, as I’ve cited in other posts, there were Legitimist plots in development and even some collaboration between the disgruntled royalists and the republicans.  

Anyway, whether or not the Orléanist regime provoked the uprising in order to try and eliminate as many republican and Legitimist opponents as possible, the next chilling possibility he raises is that Vidocq had some role in setting up barricades on the Île de la Cité. Robb points to the fact that histories agree that by 10 am on the morning of 6 June all resistance was confined to the Right Bank, and yet suddenly these barricades arose…and “something odd” might be noticed about their architecture and composition. “The barricades had firm foundations, as though the builders had maneuvered the carts into position according to some unwritten principle of barricade construction. There was an unusual preponderance of desks and file cabinets forming neat course with bridged joins and buttresses, and, running across the top, a row of cartwheels and chairs that served as coping-stones and battlements.” Had they had more time, the insurgents might have realised how un-strategic the situation was – they were in a position that could be assailed from several locations at once – or might have removed the occupants of the houses that looked down on the barricades, occupants who might have been snipers. “Any such precautions would, of course, have been futile if some of the rebels defending the barricades had turned out to be soldiers or policemen in disguise.”

As it was, bands of fighters fleeing events on the Right Bank were informed of these barricades “by men who seemed to have a precise knowledge of the ebb and flow of the battle.”  

Trapped there, they were killed or captured. And Vidocq’s role? Shady as usual, but there was a testimonial he later produced signed by locals praising his zeal and the fact that, although no longer officially employed by the Sûreté, had somehow managed to capture the “malefactors.”  

According to Robb, some of the revolutionaries captured that day long afterwards expressed the belief that the barricade was constructed under Vidocq’s direction and manned by his agents provocateurs, and that some of these survivors later made attempts on his life.  

I’ve seen the allegation before that Vidocq was involved in the “mopping up” of the June Revolt and that there were later attempts on his life as a result, but haven’t seen the primary sources. Unfortunately Robb doesn’t use footnotes, but in his references for this chapter, in addition to works like Vidocq’s memoirs, we do find a couple of citations: 

Anon. ‘Juin 1832 (Insurrection des 5 et 6)’. In Pierre Larousse, Grand Dictionnaire universal du XIX siècle, IX (1873) pp. 1096 – 97 

I’m trying to find the text online (and keep getting distracted with references like this article by Frédéric Chauvaud Gavroche et ses pairs : aspects de la violence politique du groupe enfantin en France au XIXe siècle. http://conflits.revues.org/463?lang=en), but has anyone here worked with this before?

There’s also Christophe-Michel Roguet’s Insurrections et guerre des barricades dans les grandes villes, 1850 which is available on Gutenberg: http://www.gutenberg.org/ebooks/37053 - at a quick glance it seems to concern itself mostly with the fighting on the right bank at St-Mery and surrounds, but I’ll try to translate it later.

This is all still very much work in progress to try and nut this out, but I’m hoping others might have done some work on it. I think it’s probably at this stage a reach to link Vidocq’s actions with Hugo’s depiction of Javert’s role (and I’m a bit dubious Hugo was even aware of the allegations), but does anyone else out there have any information on this and it’s rather unsettling implications?

LAWD.

I can’t imagine Hugo was too familiar with this idea when he wrote the story that he did (I can’t I can’t I can’t), but wow.  I’m floored.

I checked out Parisians largely on the basis of this post, and because this conspiracy theory has eaten my brain and I wanted to read everything I could about it. I have little to add, except that readers who are curious about Robb’s particular take on Vidocq who don’t want to track down the book can read this article on Vidocq in the London Review of Books, which hits most of the basics.  He discusses the June 5-6 riot near the end. 

Most importantly, he places Vidocq’s alleged activities in the Rebellion in the context of his larger career. Vidocq’s success wasn’t really his proto-forensic skills of legend, but in his ability to ingratiate himself with whoever the political regime was at the time, and to act as an agent provocateur and political suppressor.

Graham Robb:

He was the human face – or faces – of a system that spent more time rooting out subversives than catching thieves….

According to Stead, Vidocq was an enthusiastic double agent well into his seventies. He infiltrated workers’ meetings, ‘encouraged’ voters to support Louis-Napoléon, and pretended to back an Orleanist conspiracy. In 1849, he returned to the Conciergerie, ostensibly as a prisoner but in reality to spy on Auguste Blanqui and other socialists arrested in the June uprising. With Vidocq on the case, Paris was ‘safer’ than ever before.

He’s portrayed as a clever and charismatic thug who realized the best way to get ahead was to get cozy with the state and do their dirty work for them. This makes me think of John Merriman’s Police Stories, which also portrays the police as frequently being used in this period to surpress political uprisings rather than to protect the populace. In such an atmosphere, with such a man as Vidocq, it seems… at least possible that his hand might have been involved in the rebellion.

What all this means for Les Mis, I don’t know. Except I’m fairly sure that if they met, neither Valjean or Javert would want anything to do with Vidocq, based on him or not.

Adding to the evidence that the revolt might have been set off (or at least enabled) by the regime as a way of crushing the republican opposition, Thomas Bouchet, in his commentary on Charles Jeanne’s letter in À cinq heures nous serons tous morts, suggests that one of the reasons the republicans in power (editors of large newspapers, deputies in the legislature) turned their backs on the June 1832 rebellion was that they had been planning their own revolution for the end of July! They had judged that the anniversary of the July Revolution of 1830 was their best shot at getting enough critical mass to overthrow Louis-Philippe, and were extremely put out that their more hot-headed brethren had jumped the gun. God only knows whether the revolutionaries would have won if the republican leadership had adapted to the situation and thrown their support behind it, but in any case, their decision to hold back appears to have been motivated more by self-preservation than prudence: by evening on June 5, it was pretty clear that either the revolutionaries would win or they’d have to be brutally suppressed, in which case another attempt in July would never get very far. If the cadaverous-looking horseback rider with his red flag was indeed an agent provocateur sent by the regime to sour the public on the republicans and push them into a revolt that would be easier to suppress than one in July, well, the regime succeeded.

Incidentally, Bouchet also mentions that the activities of republican and legitimist secret societies and how much of a role they had in organizing the June 1832 revolt are one of the biggest open questions on this point in French history. There were a bunch of them floating around, but historians *just don’t know* what most of them got up to or how effective they really were.

What kind of role Vidocq played is similarly mysterious, but Charles Jeanne reports capturing at least one spy at Saint-Merry whose orders were to use up as much ammunition as he could, then try to lure the leaders of the barricade into an ambush once the powder supplies ran short by promising to take them to a giant stockpile of cartridges.

(via carmarthen-the-fan)

  • Javert: And I'm Javert!
  • Javert: Do not forget my name!
  • Eight: ...
  • Eight: Sorry, who are you?
  • : ....
  • Eight: Who am I?
  • Eight: Who am I?
  • Eight: I am... er, Richard? Nope. Erm, Jim? Zagreus? Ah well, it'll come back to me.

Enjolras was a charming young man, who was capable of being terrible. He was angelically beautiful. He was Antinous wild. 

Enjolras was a charming young man, who was capable of being terrible. He was angelically beautiful. He was Antinous wild. 

blackpaint20:

historyforgirls:

In 19th century Paris Belgian artist Felicien Rops hung out with Baudelaire and produced these lurid, dream-like paintings of the French sexual underworld…

(via temporubato)

wetyourselfwithblood:

Jean Valjean’s eyes had assumed a frightful expression. They were no longer eyes; they were those deep and glassy objects which replace the glance in the case of certain wretched men, which seem unconscious of reality, and in which flames the reflection of terrors and of catastrophes. He was not looking at a spectacle, he was seeing a vision. He tried to rise, to flee, to make his escape; he could not move his feet. Sometimes, the things that you see seize upon you and hold you fast. He remained nailed to the spot, petrified, stupid, asking himself, athwart confused and inexpressible anguish, what this sepulchral persecution signified, and whence had come that pandemonium which was pursuing him. All at once, he raised his hand to his brow, a gesture habitual to those whose memory suddenly returns; he remembered that this was, in fact, the usual itinerary, that it was customary to make this detour in order to avoid all possibility of encountering royalty on the road to Fontainebleau, and that, five and thirty years before, he had himself passed through that barrier.

Cosette was no less terrified, but in a different way. She did not understand; what she beheld did not seem to her to be possible; at length she cried:—

“Father! What are those men in those carts?”

Jean Valjean replied: “Convicts.”

“Whither are they going?”

“To the galleys.”

At that moment, the cudgelling, multiplied by a hundred hands, became zealous, blows with the flat of the sword were mingled with it, it was a perfect storm of whips and clubs; the convicts bent before it, a hideous obedience was evoked by the torture, and all held their peace, darting glances like chained wolves.

Cosette trembled in every limb; she resumed:—

“Father, are they still men?”

“Sometimes,” answered the unhappy man.

The Chain Gang, (chapter 8, book 3, vol 4, Hapgood)

lesmis-dasha-ko:

The swans in the Luxembourg Gardens.

In the train made ​​a sketch.

Swans are vicious mofos.

Une toute jeune fille était debout dans la porte entrebâillée. La lucarne du galetas où le jour paraissait était précisément en face de la porte et éclairait cette figure d’une lumière blafarde. C’était une créature hâve, chétive, décharnée ; rien qu’une chemise et une jupe sur une nudité frissonnante et glacée. Pour ceinture une ficelle, pour coiffure une ficelle, des épaules pointues sortant de la chemise, une pâleur blonde et lymphatique, des clavicules terreuses, des mains rouges, la bouche entr’ouverte et dégradée, des dents de moins, l’œil terne, hardi et bas, les formes d’une jeune fille avortée et le regard d’une vieille femme corrompue ; cinquante ans mêlés à quinze ans ; un de ces êtres qui sont tout ensemble faibles et horribles et qui font frémir ceux qu’ils ne font pas pleurer.

Ce qui était poignant surtout, c’est que cette jeune fille n’était pas venue au monde pour être laide. Dans sa première enfance, elle avait dû même être jolie. La grâce de l’âge luttait encore contre la hideuse vieillesse anticipée de la débauche et de la pauvreté. Un reste de beauté se mourait sur ce visage de seize ans, comme ce pâle soleil qui s’éteint sous d’affreuses nuées à l’aube d’une journée d’hiver.